avani008 | Reading

This sequel to one of my favorite books of last year, a young adult post-apocalypse novel with a lovely slow-burn gay romance, fell victim to a trope I basically never like: the sequel to a romance that starts out by breaking up the main couple or pitting them against each other. It may be realistic but I hate it. If the main thing I liked about the first book was the main couple's dynamic - and if I'm reading the sequel, that's definitely the case - then I'm never going to like a sequel where their dynamic is missing or turns negative. I'm not saying they can't have conflict, but they shouldn't have so much conflict that there's nothing left of the relationship I loved in the first place.

This book starts out with Jamison and Andrew semi-broken up and not speaking to each other or walking on eggshells around each other, because Andrew wants to stay in the nice post-apocalyptic community they found and Jamison wants to return to their cabin and live alone there with Andrew. Every character around them remarks on this and how they need to just talk to each other. Eventually they talk to each other, but it resolves nothing and they go on being weird about each other and mourning the loss of their old relationship. ME TOO.

Then half the community's children die in a hurricane, and it's STILL all about them awkwardly not talking to each other and being depressed. I checked Goodreads, saw that they don't make up till the end, and gave up.

The first book is still great! It didn't need a sequel, though I would have enjoyed their further adventures if it had continued the relationship I loved in the first book. I did not sign up for random dead kids and interminable random sulking.

kitewithfish

I skipped last week because, while I had done a lot of reading, I hadn't actually finished anything. I was burned out by the past few weeks at work and personal life, so I didn't write anything up.

What I Have Read

If you were a Mythical Thing by Kangofu_CB - Re-read bc I love this author. Solid romance between gym teacher Clint and Bucky, who is also a were wolf.

He Who Drowned the World - Shelley Parker-Chan - Book Club Re-Read. THis book rewards rereading. The characters all feel so real and could be main characters in their own stories. I had completely forgotten the last third of the book. Edit after book club: It also has a fascinating set of comparisons between many different characters - Zhu has so many connections and parallels in other characters, and in her relationships with other characters, that I loved to re-read and get a better sense of them. So many pairs of brothers in this set of novels and so many of them are vicious struggles for power; Zhu's closest friend and near-brother is willing to die for her, over and over. Deeply fractured and unequal marriages between men who disdain their wives - Zhu's wife adores her and is a trusted ally. Revenge is a continuing theme and every time someone gets it, it destroys them. Zhu wants a different kind of world and she's willing to be ruthless for it, and it's clear that is the only way out of a cycle of repeated revenge and power struggles.

My Favorite Thing is Monsters vol 1- Emil Ferris - Well written and the art is beautiful, however, the conceit is that the book is a handwritten child's notebook and so it's literally on lined paper and HARD TO READ. The POV of a young lesbian main character in 1960s Chicago and is deeply lovely -her fascination with classic movie monsters is so charming and so recognizable. Not a Hugos nominee this year, but the second volume is.

The Hunger and The Dusk vol 1. by G. Willow Wilson - A romance and adventure story - an orc healer is set to work with a team of human adventurers to face an enemy to both human and orc society, and fulfill a peace treaty between the enemy societies. I think this is mediocre, unfortunately . The art is lovely, but the writing is thin. They refer to tropes but don't actually depict them, so it feels very lazy and informed rather than characterized. Neither main romantic lead seems to have been really written, just assembled from tropes - and while I love romance novels and tropes, this isn't even using the tropes in the writing, it's just having the characters mention the tropes in their informed backstory. As a sidebar, I think the alliance between orcs and humans is supposed to be a commentary on racism in DnD settings - orcs are often treated as nonsentient and racially evil in gaming settings, while this books fleshes out orc society and culture and makes the secondary pairing into two really interesting people. If you want to pick it up, they are actually pretty interesting! However, the common enemy just.... evil hive mind nonsentient elves? Who maybe actually have a horrible king and a shared cunning plan? It kind of undercuts the exploration of orcs as sentient and worthy of attention and care if you turn around and assign the name traits to a different random fantasy species. Hugo award nominee, does not merit the award.

We Called Them Giants - Kieron Gillen - I read this immediately after The Hunger and The Dusk and contrast is striking. This book is also working hard from some tropes, but really works them and digs right in. The POV character is engaging with a terrifying and inhuman opponent, only to discover slowly that there is intelligence, compassion, and even communication. Overwhelmingly well done, great character work, the art is haunting and the pacing is excellent. It is a much tighter story with a simpler premise and delivers on it.

What I'm Reading
The Ministry of Time by Kailane Bradley – 25% ish,
Hunting Toward Heartstill by Blackkat -about 45%
The Antarctica Conspiracy Derin Edala – slightly on hold.
Someone You Can Build a Nest In – John Wiswell – 15%

What I'll Read Next
Hugo Nominees are out!
Track Changes
The Deep Dark
My Favorite Thing Is Monsters, Book 2
The Tainted Cup
Alien Clay
Service Model
The Ministry of Time
Someone You Can Build a Nest In
Star Trek: Lower Decks: Warp Your Own Way
Monstress, Vol. 9: The Possessed
Navigational Entanglements
The Butcher of the Forest
The Practice, the Horizon, and the Chain
Speculative Whiteness: Science Fiction and the Alt-Right
The Brides of High Hill
The Tusks of Extinction
“Charting the Cliff: An Investigation into the 2023 Hugo Nomination Statistics”
“Signs of Life”
“By Salt, By Sea, By Light of Stars”
“The Brotherhood of Montague St. Video”
“Loneliness Universe”
“The 2023 Hugo Awards: A Report on Censorship and Exclusion”
“The Four Sisters Overlooking the Sea”
“Lake of Souls”

rachelmanija

A historical children's novel by a Ukrainian-Canadian author, based on Ukrainian teenagers and children forced into slavery during WWII. After watching her neighbors and finally her family getting dragged off by the Nazis, Lida, a Christian Ukrainian girl, is kidnapped along with her younger sister. They're immediately separated and Lida is sent to a horrendous work camp. She's skilled at sewing, which keeps her useful and so alive for a while. But then the Nazis need bombs more than uniforms...

This book is an impressive feat of walking the line between being honest and straightforward about how terrible conditions are while not being too overwhelming for children to read. Lida and the other girls endure and try to support each other. Lida gives a Jewish girl her crucifix necklace to help hide her identity, and an older girl advises Lida to lie about her age so she isn't killed immediately for being too young to work. The German seamstress Lida works with (an employee, not a prisoner) is occasionally casually kind to her, but also gets a gift of looted clothing from a probably murdered French woman, and gets Lida to meticulously remove the woman's stitched-in initials and re-sew them with her own. A Hungarian political prisoner, who gets better soup than the Ukrainians, advises Lida to say she's Polish, as that will improve her her food. Later, Lida muses, It seemed that just as there were different soups, there were different ways of being killed, depending on your nationality.

( Read more... )

The book is interesting as a depiction of an aspect of WWII that isn't written about much, a compelling read, and a moving story about some people trying to keep hope and caring - and rebellion - alive when others are being as bad as humans can get. It's part of a trio of books involving overlapping characters, but stands completely on its own.

The afterword says that Skrypuch based the book on her interviews with a survivor.

rachelmanija

In a magical version of the medieval Middle East, a middle-aged single mom, who was once the notorious pirate Amina al-Sirafi, is dragged out of retirement for one final job.

This book is a complete and utter delight from start to finish. It has all the pirate tropes you could possibly want - sea battles! sea monsters! quests for magical objects! loyal crews! tossed overboard! marooned! - and sly twists on others. It's got great characters. It's got hilarious dialogue and character interactions. The world is wonderfully detailed and varied, full of plausible historical details and with a lovely faux-historical feel. There are stories within stories. It's all marvelous.

As a child, I had a book called Muslim Saints and Mystics, which was a translation of parts of the Tazkirat al-Awliyā, a collection of stories about Muslim saints written around 1200. It was funny and magical, and some of the stories-within-stories in Amina al-Sirafi have a similar feel. The novel neatly toes the line between dialogue that feels fairly contemporary and a plausibly historical mindset. Amina is horny as hell, but a serious Muslim who believes in not having sex before marriage; as a result, she's had five husbands. There's a major trans character, in addition to several gay characters; Amina has come across people before who prefer to live as the other sex, and takes it in stride without resorting to Tumblr-esque labels or attitudes.

I loved every moment of this book, and was delighted that though it has a reasonable ending, it is the start of a trilogy. It's the first book I've read by Chakraborty, and I'm excited to read her City of Brass series.

( Read more... )

rachelmanija

Sciona, the first woman ever admitted to the University of Magic, takes on Thomil, a janitor from a discriminated-against culture, as her lab assistant, and they both learn dark secrets about their world.

Thomil is introduced when his clan makes a desperate run across deadly ground to get to the safety of a city surrounded by a magical shield. The shield protects against bitter cold and the deadly Blight, which randomly zaps and dissolves people, but the area around the city is particularly Blight-infested. Only Thomil and his baby niece survive. When they arrive, they find that the city natives hate their race and has consigned them all as a permanent underclass.

Ten years later, Sciona, a well-to-do young woman in the city, is preparing for her magic exam to try to get into the sexist magic university, which no woman has ever passed. Though she does pass, all the male mages but her mentor hate her and hassle her. The only other person who's even remotely nice to her is Thomil, the janitor, who is assigned as her lab assistant as a cruel joke. But though Sciona is racist and classist, and Thomil is mildly sexist in an oblivious way, they find that they kind of get along...

Wang has an engaging, easy-read style for the most part, the intros to the two main characters are quite compelling, and despite the heavy-handed axes of privilege themes, Thomil and Sciona have a nice dynamic.

I said "for the most part." The exception is the magic system, which I think is basically computer programming via magic typewriters (spellographs). The wizards program a spell to access a specific area of the magical Otherrealm (which they can't see or sense in any way, so they're just plotting points on a grid) to grab magical energy or matter from it. But we get MUCH more detailed and lengthy descriptions of it, from long explanations to actual spells:

CONDITION 1: DEVICE is 15 Vendric feet higher than its position at the time of activation.

ACTION 1: FIRE will siphon from POWER an amount of energy no lower than 4.35 and no higher than 4.55 on the Leonic scale.

ACTION 2: FIRE will siphon within the distance of DEVICE no higher than 3 Vendric inches.

If and only if CONDITION 1 is met, ACTION 1 and ACTION 2 will go into effect.

The first half is Sciona and Thomil working on various spells, interspersed with very heavy-handed commentary on colonialism, sexism, and how Sciona totally gets feminism when it applies to her personally but is oblivious to all other isms. Sciona is an awful, self-centered person and Thomil is mostly perfect. Almost exactly halfway through, there is a shocking reveal. At least, it shocked many readers. It did not shock me.

( Read more... )

Despite what the plot description sounds like, Sciona and Thomil do not have a romance beyond occasional sexy feelings. It's a magical dystopia/dark academia, I think similar to Babel (which I could not get very far into) but less anvillicious in that it does not have literal footnotes saying stuff like "This is a racist comment and racism is bad." (In the bookshop, I have Blood Over Bright Haven tagged "If you like Babel you will like this.") Sadly for M. L. Wang, this comparative subtlety got them some reviews on Goodreads accusing them of condoning Sciona being a bad person and endorsing her beliefs.

I did not care for this book but I can see how it would work for many readers, especially if they're shocked by the twist at the halfway mark.